The 2024 Paris Olympics kicked off on July 26 with a dazzling Opening Ceremony that featured performances by Lady Gaga, Aya Nakamura, and Céline Dion. However, a tableau featuring drag queens, a trans model, and singer Philippe Katerine—dressed in provocative and eye-catching attire—caused controversy for resembling Leonardo da Vinci’s famous painting, “The Last Supper.”
Why the Controversy?
Many Christian groups expressed discontent, interpreting the tableau as a reference to the iconic Renaissance artwork, which depicts Jesus’ last meal with his apostles before his crucifixion. The Olympics’ organizers clarified that any resemblance to “The Last Supper” was coincidental. Instead, the performance was intended to celebrate Dionysus, the Greek god of wine and revelry, rather than religious imagery.
Director Thomas Jolly explained that the scene was inspired by Dionysian festivity and aimed to create a celebration of life and culture. Despite this, the unintended resemblance sparked a debate over religious imagery and its use in public events.
Responses from Organizers and Performers
Paris 2024 spokesperson Anne Descamps apologized if the performance caused any offense, stating there was no intention to disrespect religious beliefs. Philippe Katerine, who performed in the performance, expressed pride in his role and the ceremony’s celebration of diverse cultures.
Drag queen Le Filip, who also performed, praised the event as a groundbreaking moment for queer representation on a global stage, appreciating the blend of performances and celebratory atmosphere.
